Category: Nostalgia

Corrections to Grandma’s Nanny Story and Tales of Slavery in the Womack Lineage

    
In my last post, I shared a brief memory of my grandmother and the woman she always referred to as her “nanny.” I was inspired to write it after reading a troubling post on Facebook where someone recounted a family using the N-word for their household caregiver. It shook me, because in my very large family, I have absolutely no memory of anyone ever using that word. My grandmother never used it. She spoke of her nanny with fondness and respect, and that was the standard of decency she passed down to us.

However, as a professional archivist, I know that oral family histories are beautiful but imperfect things. They have a way of compressing time, blending generations together until the timelines blur.

Shortly after publishing that post, I received a note from my dad’s cousin, Carolyn. She is the oldest living relative of that generation, and she is wonderful at keeping our history straight. Carolyn gently pointed out a major flaw in my timeline: because slavery was abolished in 1865, and my grandmother was born well after that, she could not have had an enslaved nanny.

Carolyn was entirely right about the timeline. The woman my grandmother remembered so fondly from her childhood in Kentucky was undoubtedly a hired domestic servant or worker.

But Carolyn’s correction got my archivist wheels turning. While the nanny of my grandmother’s youth was free, I knew the stories I grew up hearing about our ancestorstoal tales of vast tobacco crops and prized racehorses in Greenup County, Kentucky. My historical intuition told me that an operation of that scale required a massive amount of manual labor. I decided to dig into the archival records to see exactly what kind of world my grandmother’s people came from.

What I found was a heavy, complex history.

The Womack line in Kentucky was established by my great-great-great-grandfather, James Tignal Womack, who moved his family and his wealth from Prince Edward County, Virginia, to the Little Sandy River around 1812. When he passed away in 1827, his will divided twenty-three enslaved individuals among his heirs.

His son, Archer Tignal Womack, settled in Oldtown, Greenup County. The federal slave schedules show that he held eleven enslaved people in 1850 and seven in 1860. In the hilly terrain of eastern Kentucky, owning that many people made him a substantial slaveholder. This labor force directly matched the stories of large-scale tobacco farming and horse breeding.

Because Greenup County sat right on the Ohio border, it was a hotbed for the Underground Railroad. Local newspapers from January 1859 even document a “panic among the slaveholders” after two young enslaved men successfully escaped from Archer Womack’s farm, prompting him to sell others further south for security.

My great-great-grandfather, William Archer Womack, grew up directly inside this environment. When the Civil War broke out, he held intense Southern secessionist sympathies. He was eventually arrested by Union forces, treated as a prisoner of war, and sent north to Camp Chase, a notorious military prison in Columbus, Ohio, before returning home to Oldtown as a businessman after the war.

Discovering this census and military data didn’t change the timeline Carolyn corrected, but it gave the story a much deeper meaning.

My grandmother was raised by people who had actively participated in, profited from, and fought to defend the slaveholding South. Yet, somewhere along the way, she made a choice. She broke the cycle of prejudice. She refused to carry the dehumanizing language of that era into the ears of her children and grandchildren.

“From dust we came, and to dust we will go”, she oft-repeated. and perhaps it is in recognizing our shared dust that my grandmother found her grace. The woman she loved as a child may have been a hired servant rather than an enslaved nanny, but the true miracle of the story is that my grandmother chose to look backward at her family’s history, and then chose to walk forward with love.

I will be bringing a great deal more history in subsequent posts. Stay tuned if you dare.

In bringing this historical documentation to light, I have gratefully utilized AI as a digital tool and editorial assistant to help research, structure, and refine the narrative. However, the intellectual framework, the emotional weight, and the driving motivation behind this work are entirely my own. This remains, above all, a direct reflection of my own voice and my deeply personal desire to ensure this history is remembered.

In the Gloaming (1877)

Surprisingly, my summer project is a heavy-duty wool cardigan by Caitlin Hunter, of Boyland Knits, aptly named “Gloam”. In the gloaming means the twilight hours just after sunset. “In the gloaming” has always been my favorite time of day, whether it be a summer, winter, spring, or fall evening.

There was a time in my life, I would say, probably the decades between 20 and 60 years when I felt unquenchable yearning at this time of day, for what I do not know. I couldn’t tell if I had to go out of the house or if I needed to stay in. There was a restlessness about it… as if I was missing out on something. I sometimes would at least need to be out on the porch as darkness overcame the gloaming.

Thank goodness I don’t feel the same about the gloaming anymore. But still, this is my favorite time of day heavy with nostalgia and longing and memories of days gone by. So when I found the sweater named the “Gloam” it just seemed right that I would knit it. The style was right, as well.

The garment has an Asian appearance to it like a kimono, with an open front and wide medium-length sleeves, and a cropped body. The yarn I’m using is of DK weight of Highland woolen spun of New England, Harrisville, in a deep charcoal colorway. Across the front and back is a large textured section of 72 rows.

Some would not consider this summer knitting, and neither do I but it is what it is. I’m having a lovely time working on it but it’s not something I take outside with me. That’s okay, because as I’ve grown older, sitting outside in the heat is not one of my pleasures. As August approaches, I might have to switch to sock or hat knitting, but I’d love to have this sweater to wrap up in come Fall.

Maybe I’ll need to take it outside to work on in the gloaming as the heat of the day subsides.

My cousin Gail, after reading my blog post, brought up that the word “gloaming” reminded her of my mom. Now I might understand why I loved it so:

Mom played the piano and sang a lot as we were growing up. We had sheet music in the piano bench and Mom would sing and play all kinds of music, from pop, ballads, jazz, blues, and more. Now I know why that word stirs up such emotion in me. I now remember that Mom sang, “In the Gloamingʻ.

Thank you Gail for stirring my memory. Follow the link below to hear this beautiful but sad song.

In the Gloaming (1877)

https://share.google/GkiEYPfcG82dN6YuW

Fe Dáncio

A night of passion… or not

His long, curly, disorderly salt and pepper hair exposed his age, for his body did not.

Every morning, he sailed his small fishing boat out into the bay of Zihuatanejo and back again in early afternoon.

The rest of the day was spent selling fish and cleaning the boat inside of a small boat house perched over the bay. Fe Dáncio had been a fisherman from childhood and had lived in Zihuatanejo from birth.

While in Zihuatanejo, I spent my days on the beach where the pounding waves pummeled me, where I lay in the sun, where I ate in the small cafés along the beach, where at night I could be found in the small clubs along the beach, dancing.

Tired early, I returned nightly to a small hotel just steps up from the sand. At one time, it had been painted pink with white balustrades with cool orntamental Spanish tiles to walk on. I slept on the balcony in a hammock swinging under palms and flowering plants. I slept soundly. The soft breezes swished through the leaves, murmuring secrets from the past, as did the waves on the sand.

I woke early with the sun and watched the fishing boats bobbing out into the bay. All I wanted to do was the same thing that I did yesterday and the day before and the day before that. For a few dollars, a small cafe next door offered my favorite breakfast of pancakes, papaya, and other fresh fruits and all of the orange juice I could drink… And Nescafe.

Throwing on a swimsuit and a pair of shorts, i would walk into the sea, spending hours doing nothing. The waves were unpredictable. At times, they were gently rolling, and at other times, they came in violently, casting me to the hard sandy bottom. More than once, I hit my head on a rock. My brown skin was often bruised.

From my place in the sand, I could see the fishermen coming in, and as usual, Fe Dáncio drew my attention as he walked from the boathouse. I can’t explain it, but to me, he was muy atractivo. His skin was dark. He was muscular. He was weathered but smooth and shiny, if you could imagine it, and his hair was wild and wind blown. I, of course, noticed that he had an eye for the women.

One day, he approached me. We took up a conversation, and he invited me into the boathouse to see his small fishing boat. Since I am fluent in Spanish, we talked for hours, and he told me about his life. We sat in the sand later, continuing our conversation. He seemed as curious about me as I was about him. We ate some dinner, and then he invited me to his house.

(My acceptance of his invitation was not unusual for me, for I visited many houses belonging to strangers. Remind me to tell you the story of visiting a family on an island in a yellow lagoon in a village that grew coconuts only accessable by flat bottom boats.)

Not Fe Dáncio’s place

We walked to a secluded area of the beach where the locals lived in small houses, surrounded by gardens. He lived in a small board cabin outside of his mother’s house in the soft sand among mango trees and lush plants. His mother offered to feed us, but we declined having just eaten.

It grew dark. We sat in his house and talked into the wee hours of the night. I grew tired. He offered his bed for me to lie down on. As he laid down beside me, he offered me a smoke. We smoked quietly, staring into the darkness of the sky. The candle light was dim, and I began to drift away. I was high like I had never been before. I was mesmerized by his gentle touch.

Once in a while, he would send me to the outdoor shower where soft, cool, and refreshing water woke me once again to a night so pleasant, I didn’t want it to end. I only remember waking to a chicken crowing in a tree outside his front door.

Fe Dáncio had gone fishing. He left me a plate of mango and papaya and a glass of orange juice. I hadn’t heard him wake or leave. I slowly dressed. After a night of such indescribable hallucinations and pleasure, I was surprisingly refreshed. I went to my regular café for breakfast and returned to the beach to swim and to lie in the sun.

I never saw Fe Dáncio again. I did not see his boat return, nor did I see him walking along the beach. Though I spent weeks in Zihuatanejo, I was left only with this memory of him. It is so vivid, yet I wonder if it really ever happened at all.

When Things Were Simple

When weed came in kilos across the border from Mexico, it was simple. That’s when a kilo was $35-$60. When you most likely bought a lid in a plastic sandwich baggy for $10 from a friend.

When what you bought was smattered with stems and seeds that would pop and burn holes in your clothes or in your davenport or the seat of the car.

When a part of opening the baggy, and before smoking, was performing the ritual of carefully picking through and cleaning out the debris.

When Zig Zag papers were bought at the corner store to roll a joint. When one took pride in knowing how to roll a perfect joint or a giant “doobie,” It was an acquired skill.

We rolled joints by hand that wouldn’t fall apart, clear to the finger burning end. Or maybe someone had a pipe and sometimes a hooka.

When we all had “roach clips”. Making a nice  “roach clip,” was a work of art and creativity. Does anyone even know what a roach clip is or use one anymore?

The very last bit of a joint, or roach,  was savored by slipping it into a clip and holding it to your lips so as not to burn your fingers. How very handy they were.

PS: Those treasured relics pictured above are more than 50 years old, probably closer to 60. They were made from the bristles of the street cleaners brushes that one could find in the gutters while walking the streets of Portland.

When I was a Weaver

Maybe the worse for wear

This is a hand woven pillow top completed in 1973. That’s 50 years ago! It’s made of 100% rustic wool on a large floor loom while taking classes at the Multnomah Art Center. I cannot remember what breed of wool or the pattern but it was a marvelous experience. It changed my life.

I bought several looms over the years and enjoyed weaving. I learned to spin, as well. Recently, I sold all my weaving and spinning supplies.

It took years to admit that I would not ever weave again, so I kept my equipment and supplies far too long. Thanks to my mom and dad’s persistant support, I have always been proud that I never let anything stop me from doing whatever I’ve chosen to do regardless of… well, there came a time that I had to give up on this craft and many others.

I have little to show for this time in my life with the exception of a few pieces, including this one. Though it is the worse for wear, I will sew it into a pillow cover again. It makes me nostalgic for those beautiful years.

A poncho for Hannah, 1973