Category: Knitting

In the Gloaming (1877)

Surprisingly, my summer project is a heavy-duty wool cardigan by Caitlin Hunter, of Boyland Knits, aptly named “Gloam”. In the gloaming means the twilight hours just after sunset. “In the gloaming” has always been my favorite time of day, whether it be a summer, winter, spring, or fall evening.

There was a time in my life, I would say, probably the decades between 20 and 60 years when I felt unquenchable yearning at this time of day, for what I do not know. I couldn’t tell if I had to go out of the house or if I needed to stay in. There was a restlessness about it… as if I was missing out on something. I sometimes would at least need to be out on the porch as darkness overcame the gloaming.

Thank goodness I don’t feel the same about the gloaming anymore. But still, this is my favorite time of day heavy with nostalgia and longing and memories of days gone by. So when I found the sweater named the “Gloam” it just seemed right that I would knit it. The style was right, as well.

The garment has an Asian appearance to it like a kimono, with an open front and wide medium-length sleeves, and a cropped body. The yarn I’m using is of DK weight of Highland woolen spun of New England, Harrisville, in a deep charcoal colorway. Across the front and back is a large textured section of 72 rows.

Some would not consider this summer knitting, and neither do I but it is what it is. I’m having a lovely time working on it but it’s not something I take outside with me. That’s okay, because as I’ve grown older, sitting outside in the heat is not one of my pleasures. As August approaches, I might have to switch to sock or hat knitting, but I’d love to have this sweater to wrap up in come Fall.

Maybe I’ll need to take it outside to work on in the gloaming as the heat of the day subsides.

My cousin Gail, after reading my blog post, brought up that the word “gloaming” reminded her of my mom. Now I might understand why I loved it so:

Mom played the piano and sang a lot as we were growing up. We had sheet music in the piano bench and Mom would sing and play all kinds of music, from pop, ballads, jazz, blues, and more. Now I know why that word stirs up such emotion in me. I now remember that Mom sang, “In the Gloamingʻ.

Thank you Gail for stirring my memory. Follow the link below to hear this beautiful but sad song.

In the Gloaming (1877)

https://share.google/GkiEYPfcG82dN6YuW

The Stockholm Vest

The Stockholm Vest is well on its way. Not even a month ago, I had started two other vests that were absolutely beautiful and using beautiful yarn, but I just couldn’t get past the first 20 rows on either pattern.

I thought I had lost my ability to knit. It was so until I picked up this pattern from Petite Knits.

The yarn I’m using is The Border Mill North Coast Tweed, from Scotland. The label says that the colorway “Black Isle” was inspired by a road trip around Scotland’s far north coast. It is spun from pure Shetland wool. Though the foundational colorway is black, there is a lot of deep dark brown and even some gray tones that give it a very earthy look, peaty even.

I love this yarn, and once I got started, I loved the pattern, as well. It’s funny how you can get caught up in a failure or what seems to be a failure, only to find your inspiration once again.

Though it doesn’t look like much yet, I would say that I’m three-quarters of the way done. I’ll keep you posted on my progress.

When the Mind Needs a Rest, Hand Crafting to the Rescue

I was knitting a super lovely sock named “Sheperdess” designed by one half of the podcasters “Grocery Girls,” Tracie Millar.

I was knitting them in Schachenmayer, merino yak, 4 ply, in colorway: 07516. I envision that color as spring green turned fall green for lack of light.

This is an easy and well written pattern. I loved the yarn and the color. It’s so perfect for dark November days and nights.

In the first photo, there lies a book containing a collection of essays titled “Vodou,” written by my mentor Dr. Donald Cosentino, a world expert on Haitian vodou. And there lay the socks sprinkled with my beloved candy corn.

In the 2nd photo is a yule card by a Swedish artist, who’s name escapes me, old photos of my grandma and grandpa, Eduardo Galeano’s book, “Memory of Fire”, Alice Staremore’s book, “Glamourie” and a notebook of my writings. And there are the beautiful socks in progress

I love an assemblage photograph.

Knitting calms me in the midst of the chaos that is our world… our reality. I hope that handcrafting does that for you, too.

PS: This was written maybe three or four years ago, but it’s still pertinent for today.

Warmed by Sheep and Artisans

When I was rummaging around my room this morning, I came across this hat that was peeking out of a basket from under other winter wear. It has been years since I paid much attention to it… since I had begun to knit my own hats some years ago.

I, at first, mistakenly identified it as the art of the Cowichan Indians of British Columbia because of the natural colors and unplied yarn used by the tribe to create mostly sweaters and hats.

Sometimes, I’m good at remembering details, but other times, I’m not.

Actually, Jack reminded me that it was the famous Paula Simmons who knit this hat. She was one of the first PNW (Pacific Northwest) artists to raise and shear her own sheep. She processed the fleece, carding, and spinning the fibers, creating the yarn to finally knit garments and accessories like this hat.


With the help of Jack’s memory, he reminded me where we bought this hat. The time frame had to be between 1969 -1972, when we were living in a small house in St. Johns in North Portland. We were just married, and before children. We bought it on a trip to Seattle, Washington, at an art gallery/ craft store at the Space Needle. The store and its name are long forgotten.

Part of my confusion was that I did own a Cowichan Indian sweater, and the hat was created in a similar yarn. I know we bought it before 1972 because I have at least one photo of me wearing it in 1973 – 74, walking through a snowy forest with two year old Hannah, riding on my back. ( I will post the photo when I can find it). That means it would be about 52 years old. (I found it)

The hat, the sweater, the girls, and Skokie the dog

It is knit in unplied and undyed natural sheeps wool. It’s never been washed, and you can still feel the lanolin.  The wool is very rustic and rough to the touch and still causes my forehead to itch, but it’s the warmest hat I own. The wool, in its natural state, is completely waterproof… not water resistant but waterproof.

It is in perfect condition without so much as a moth hole. It could pass for “unused.” This hat is one of my most treasured possessions, and it’s probably worth only a few dollars. The Cowichan Indian sweater was bought around the same time, but unfortunately, it burned in our house fire in 1974-75. I so wish I still had that sweater.

Jack bought the sweater for me when he worked for Norm Thompson. (A thorough history of Norm Thompson Outfitters is interesting and can be found on wikipedia.)

If you’re curious about the Cowichan Indian’s trade in knitwear, please see the following website for more information. Here, you’ll see lots of photos of the sweaters and the knitters, and their fascinating history:  http://knitwithpurpose.com/knitters

I see that the Cowichan Trading Company store, established in 1947 in Vancouver, BC,  has closed permanently. I don’t know what this might mean for the trade in sweaters, but I see that there are stores still stocking them, and there are many new and used online.

Original, authentic Cowichan Indian sweater

All of this interesting stuff because I found my  hat made by Paula Simmons.

Knitting, fruitcake, and the tree  – Yuletide 2023

This is the beautiful cable hat from the yarn that my friend Judith brought me from ireland. It took such a short time to make. I’m already wearing it. I think it is my favorite hat so far. And I love it especially today because our temperatures dropped below freezing for the first time this fall.

I won’t go into detail about it since i’ve already written a post with all the details.. Cozy things are important on days like this. Thanksgiving is over, and now to wait anxiously for Christmas and to enjoy all of these cold days that are ahead of us.

The fruit cake was made yesterday while we enjoyed leftovers and a fresh charcuterie board. For those of you who suffer from lactose intolerance, did you know that if you eat deeply aged cheese, that it won’t bother your stomach? Anyway, happily, it doesn’t bother mine.

What is Christmas without the wonderful fruity dense cake that i’ve been making for decades now. The fruit was soaked for over a week in rum. Now it’s wrapped in cheese cloth soaked in rum and wrapped in foil to wait for another month..

I’m hoping the christmas tree comes today. There are just a few things that I enjoy more or as well as a christmas tree. I’ll spend the rest of today knitting on the pair of socks that I started before I cast on the irish hat.

I wish and I hope, which doesn’t come easily to me, that there is joy and, most of all, peace in this holiday season for you and yours, while we remember that many suffer. And so it has always been.

Yuletide coziness

The Balvonie Bonnet

The finished project

I’ve been wanting to make the Balvoniee Bonnet by Corinne Tomlinson for a long time. Corrinne says that her inspiration for this hat was Balvonie of Inshes in Inverness, Scotland, where she grew up and spent long school breaks there with her family. The bonnet is “traditional Scottish woolen brimless cap; a bunnet (Sir Walter Scott).”

I ordered the kit from Wooley Thistle this winter. The yarn is by Jamieson and Smith, a 100% Shetland wool from the Shetland Islands. But I’ve been stuck in a place of no motivation for knitting except to finish a pair of socks for Hannah. The socks are out of Arne and Carlos Schachenmeyr sock yarn. They were supposed to be done for Christmas. Then they were supposed to be done in February for her birthday. But I just finished them this past weekend. So now I’ve got time to do the bonnet.

Also, if you look closely, you can see the Cascade 220 yarn in lipstick red in the background. That is going to be a striped sweater with bright pink and this red for Hannah. I’ll post more about that as I get into it. The pattern is called the Compliment Sweater. Hannah has asked me to make her something out of yarns that were not my favorite but turned out to be my favorite in the end after completing the project. I think this will be the same. Lots of summer knitting to do.

The pattern

What Knitting Can Do When the World is Dark.

I’m knitting a super lovely “Sheperdess Sock” designed by one half of the Grocery Girls, Tracie Millar.

I’m knitting them in Schachenmayer, merino yak, 4 ply, in colorway: 07516.

This is an easy and well written pattern. I’m loving the yarn and the color. It’s so perfect for dark November days and nights.

In the photo is a yule card by a Swedish artist, who’s name escapes me, old photos of my grandma and grandpa, Eduardo Galeano’s book, “Memory of Fire”, Alice Staremore’s book, “Glamourie” and a notebook of my writings. I love an assemblage photograph.

The Bad Sheep Wild Blueberry Socks

Winter’s Wooliness

The Wild Blueberry, Bad Sheep socks are done. I only wish this photo did the color of the deep blue justice. It doesn’t begin to capture the color.

Even though we are a full month away from autumn, I’m anxious to put these babies on. They will look amazing with my Birkenstocks.

Now, I’ll go back to working on my Magnolia sweater. It’s been sitting all summer while I waited for more yarn to arrive. The kid silk came from Latvia. After months, it finally got here. Now to try to figure out where I left off.

I’m glad I had these beautiful socks to work on, as well as some other projects, like another pair of socks for Hannah and Nori and a hat for Jesse.

Now I want to find some woolly DK self striping sock yarn in autumn and winter colorways to make some more socks. A girls gotta have a simple project on the needles too for when one needs a break from knitting a lace pattern.

The late summer weather is beautiful and pleasant, though we’re looking at some heat coming our way for next week. I’m loathe to let summer go as I wait patiently for cooler weather and fall color.

Knitting Wool Socks

I’m coming close to the toe on the first sock of a pair. Haven’t I showed these to you already? I can’t remember.

They’re “DK Vanilla Socks” by Kay at Crazy Sock Lady Designs.

The design is simple and unadorned but not necessarily an easy knit. I’m using Spun Right Round’s Squish DK, which is a 100% superwash merino (wool). I prefer not using super wash or anything with synthetic material added to the yarn, but when giving a gift one never knows how the recipient will wash the item. As they say, “Better safe than sorry”. Right?

The colorway is called, “Quake”.
It’s really beautiful with a solid but subtle grey background with shades of browns and blacks and darker greys interspersed throughout.

The yarn is sourced from South America and is dyed in small batches so every skein is unique in it’s speckling and saturation. It’s then rinsed in a lavender wash before it’s ready for us crafters.

If I have underestimated the amount I need to complete a pair of socks, I will not be able to find the exact same yarn. But I’ve never found that to be that important. I kind of like the variations.

Now I remember why this seems familiar to me. I used this very same yarn to knit a pair of socks some years ago. But those had a variation of yarn colors for the toes and the heels. You may remember.

Sock knitting is not my favorite kind of knitting but I was pleasantly surprised when pressured by my daughter to knit her socks that it was something I actually could do. I don’t know how many I’ve knit since that 1st pair.

Since I started knitting late in life, I’ve since surprised myself now that I can knit sweaters and scarves and shawls and hats and mittens and gloves and all kinds of things. I knit lace work, stranded color work, cables and all kinds of designs and patterns.

Nothing I knit is perfect but it just goes to show that you CAN teach an old dog new tricks.

When is a mistake so bad you can’t go on.

“Leaves”

Here is my new interim project, Fingerless gloves, “Leaves” from Valknitting by Valentina Fezova – Georgieva.

Is there a point where a project is messed up enough that you just can’t gift it? Well, that’s how I’m feeling.

It’s not that it was a difficult pattern, it’s that somehow I didn’t hit the mark on stitch counts. I ripped it all the way back one time and then decided, even though it wasn’t perfect, that I would continue to complete the left one.

The Turkish yarn, “Alize”, is simply described (in translation) as wooley wool but makes up only about half of the fibre. The other half is acrylic. Not my favourite, but I was considering the ease of washing and drying them and it wasn’t unpleasant to knit.

I’ve started the second one of the pair thinking that the first could just be practice. If it turns out better, I can knit another to match the good one and then it could still be a gift, right?

I don’t know why but this small project has shaken my confidence in my abilities. Isn’t it strange how small things can have such a big impact.

I think these gloves are so pretty and worth a second chance. If I can knit sweaters and large and small shawls and mittens and hats and even do colorwork, lace and cables, shouldn’t I be able to knit some fingerless mitts?