In the Gloaming (1877)

Surprisingly, my summer project is a heavy-duty wool cardigan by Caitlin Hunter, of Boyland Knits, aptly named “Gloam”. In the gloaming means the twilight hours just after sunset. “In the gloaming” has always been my favorite time of day, whether it be a summer, winter, spring, or fall evening.

There was a time in my life, I would say, probably the decades between 20 and 60 years when I felt unquenchable yearning at this time of day, for what I do not know. I couldn’t tell if I had to go out of the house or if I needed to stay in. There was a restlessness about it… as if I was missing out on something. I sometimes would at least need to be out on the porch as darkness overcame the gloaming.

Thank goodness I don’t feel the same about the gloaming anymore. But still, this is my favorite time of day heavy with nostalgia and longing and memories of days gone by. So when I found the sweater named the “Gloam” it just seemed right that I would knit it. The style was right, as well.

The garment has an Asian appearance to it like a kimono, with an open front and wide medium-length sleeves, and a cropped body. The yarn I’m using is of DK weight of Highland woolen spun of New England, Harrisville, in a deep charcoal colorway. Across the front and back is a large textured section of 72 rows.

Some would not consider this summer knitting, and neither do I but it is what it is. I’m having a lovely time working on it but it’s not something I take outside with me. That’s okay, because as I’ve grown older, sitting outside in the heat is not one of my pleasures. As August approaches, I might have to switch to sock or hat knitting, but I’d love to have this sweater to wrap up in come Fall.

Maybe I’ll need to take it outside to work on in the gloaming as the heat of the day subsides.


My cousin Gail, after reading my blog post, brought up that the word “gloaming” reminded her of my mom. Now I might understand why I loved it so:

Mom played the piano and sang a lot as we were growing up. We had sheet music in the piano bench and Mom would sing and play all kinds of music, from pop, ballads, jazz, blues, and more. Now I know why that word stirs up such emotion in me. I now remember that Mom sang, “In the Gloamingʻ.

Thank you Gail for stirring my memory. Follow the link below to hear this beautiful but sad song.

In the Gloaming (1877)

https://share.google/GkiEYPfcG82dN6YuW

Warmed by Sheep and Artisans

When I was rummaging around my room this morning, I came across this hat that was peeking out of a basket from under other winter wear. It has been years since I paid much attention to it… since I had begun to knit my own hats some years ago.

I, at first, mistakenly identified it as the art of the Cowichan Indians of British Columbia because of the natural colors and unplied yarn used by the tribe to create mostly sweaters and hats.

Sometimes, I’m good at remembering details, but other times, I’m not.

Actually, Jack reminded me that it was the famous Paula Simmons who knit this hat. She was one of the first PNW (Pacific Northwest) artists to raise and shear her own sheep. She processed the fleece, carding, and spinning the fibers, creating the yarn to finally knit garments and accessories like this hat.


With the help of Jack’s memory, he reminded me where we bought this hat. The time frame had to be between 1969 -1972, when we were living in a small house in St. Johns in North Portland. We were just married, and before children. We bought it on a trip to Seattle, Washington, at an art gallery/ craft store at the Space Needle. The store and its name are long forgotten.

Part of my confusion was that I did own a Cowichan Indian sweater, and the hat was created in a similar yarn. I know we bought it before 1972 because I have at least one photo of me wearing it in 1973 – 74, walking through a snowy forest with two year old Hannah, riding on my back. ( I will post the photo when I can find it). That means it would be about 52 years old. (I found it)

The hat, the sweater, the girls, and Skokie the dog

It is knit in unplied and undyed natural sheeps wool. It’s never been washed, and you can still feel the lanolin.  The wool is very rustic and rough to the touch and still causes my forehead to itch, but it’s the warmest hat I own. The wool, in its natural state, is completely waterproof… not water resistant but waterproof.

It is in perfect condition without so much as a moth hole. It could pass for “unused.” This hat is one of my most treasured possessions, and it’s probably worth only a few dollars. The Cowichan Indian sweater was bought around the same time, but unfortunately, it burned in our house fire in 1974-75. I so wish I still had that sweater.

Jack bought the sweater for me when he worked for Norm Thompson. (A thorough history of Norm Thompson Outfitters is interesting and can be found on wikipedia.)

If you’re curious about the Cowichan Indian’s trade in knitwear, please see the following website for more information. Here, you’ll see lots of photos of the sweaters and the knitters, and their fascinating history:  http://knitwithpurpose.com/knitters

I see that the Cowichan Trading Company store, established in 1947 in Vancouver, BC,  has closed permanently. I don’t know what this might mean for the trade in sweaters, but I see that there are stores still stocking them, and there are many new and used online.

Original, authentic Cowichan Indian sweater

All of this interesting stuff because I found my  hat made by Paula Simmons.

Felix is Done! And Now I’ll Wear it.

This photo makes the sweater look long but it’s actually cropped and comes just to the top of my hips.

This baby’s done! It’s the FELIX cardigan, knit in Woolen Twines rustic worsted merino in the colorway, Fossil (undyed). The yarn is the color of the sheep it came from.

As I’ve said before, Jule (owner and creator of the company and the dye pots) only harvests the best wool from local sustainable and organic farms and caring shepherds in her homeland of Germany. She has it spun in a small local mill and though she is a hand dyer, I chose this natural undyed color for this sweater. However, her natural dyes are some of the prettiest colors I’ve ever seen.

This was a joy to knit. The yarn, the pattern and the finished sweater just made/makes me happy.

I bought the buttons from Vintage Buttons on Etsy. They were made in the 80s of French river shells and hand painted. These also make me happy… like a bag full of gummy candies.

It’s too big for me but it’s large and cozy and will fit over anything. It’ll be a daily wearer.

I’ll definitely make another one of these but in my true size… determining my size is like trying to catch a wild horse in the Painted Hills of… where are the Painted Hills?