Black Rooster in My Kitchen – and Sacrifice

Sacrificial Rooster

“Get a black rooster”, he said. “Keep it 30 days, then after, bring it to me”, he said, his eyes squinted behind thick cigar smoke.

He is big and white with close cropped grey hair that stands on end in a military style crew cut. He has an imposing bearing and a deep voice. His glasses are modern and wire rimmed. His fingers gleam with rings with diamonds and other precious stones and his wrists with bracelets and an expensive watch. Around his neck are strings of beads in black and red and others in pure white. I couldn’t guess his age… maybe 40s or maybe 70s. He exudes a casual sexual energy, a pervading sensuality. He laughs often and with ease, but some how he is serious, serious as a heart attack. When he speaks, you are compelled to listen.

Charles owns Botanica Manuel. In the front window of the storefront, in a seedy part of town, he stocks herbs and incense, oils, statuary of the orishas, and malas of many colors. A life size statue of a black Latino peasant, stands with its feet among paraphernalia. This is Manuel, beside him is a statue of Manuel’s wife. This is Charles’ “dog”, his personal spirit guide, guardian and servant. But in the back, behind a curtain is a different scene, a different world. His shop is small and crowded, though from what I gathered, is not the source of his relative wealth.

Charles is a Santero, a priest in Santeria and a practitioner and priest of Palo. He is not to be messed with. It’s something you just know, you can feel it. There is danger lurking and yet a profound love.

I know as I follow my mentor, Don Cosentino, through a black curtain into a tiny room, that I need to keep my mouth shut. There are chairs in a circle. The space is dark. It takes a while for my eyes to adjust in the darkness. There are others sitting closely together. There’s an air of anticipation.

Today, as I write this post, my memory fails to recall everything in this room. It is cramped with many accoutrement but there is a vision that no amount of time can erase. Next to me appears to be a fire pit. There are railroad spikes, dirt, ashes, bones, a nganga filled with sticks and other things I can’t make out. There’s a chicken’s head that from the bloody neck, appears to have been freshly killed, and a goat’s skull. I see ornately beaded walking sticks and against another wall, drums bedecked with bells and woven shoulder straps.

A nganga is an iron receptacle or a cauldron used for ritual and is used as a source of power. It can contain many things such as sticks, feathers, railroad spikes, graveyard dirt, ashes of humans and animals and animal skulls and they have been known to contain even a more power source, a human skull. It is within this cauldron that the spirit of the dead resides, or as it is known as, the dog. This spirit does the bidding of its owner and assists in divination according to the pact made between them. Manuel is Charles’ “dog” to do his bidding.

About the time it started to feel very close, Charles walks in. He is dressed all in white. He appears to have a crippled foot on which he can barely put any weight. He wears a pained expression. Charles is now inhabited by Manuel, a former slave in his life on earth, who was injured in work and by abuse. He sits and greets us with familiarity and affection but with a certain authority. He is handed a cigar at least 8″ long and 2″ in diameter. An assistant offers a light. He pulls on it until smoke billows into the air, hindering our sight. He appears blind and yet seems to see every detail of each person in the room. We are in the presence of the living dead.

Manuel, once he is settled, begins to call out each person in the room. He tells them about their lives, he chastises them for their faults, he encourages them to do better, at some, he shows disdain and anger. I become worried as he hasn’t called me out yet. He has not made eye contact with me. Perhaps, he has nothing to say to me… but then he turns to me, without any type of expression on his face, and I know he’s looking at me, though his eyes seem blind.

I don’t remember what he said. I didn’t… couldn’t record him. I was paralyzed. I heard the words but couldn’t “hear” them. Even now, when I let myself go, I can remember the gentleness in which my heart was revealed. It was no use to try to obscure secrets buried just under the surface. He called them out… one by one. I remember the rumble, the powerful sounds coming from his throat, his mouth, that caused me to tremble and the tears that came unbidden. Then, his voice became clear like an instructors, “get a black rooster and after 30 days, bring it to me.”

What happened after that, I don’t know, but all I could think was, “where do I get a black rooster”. I knew without a doubt that I was going to do what he asked. I stepped out of the back room behind the curtain, into the sunlit shop. It felt like I had left one world and entered another. I felt slightly disoriented. Charles came behind and others in the shop gathered around him. He was not limping. Amidst the chatter, I made my way to the counter and asked the man standing there where I could find a live black rooster, as if I was asking a clerk at the drug store where to find the dandruff shampoo. Without hesitation, like he got this question all the time, he wrote down an address. I took it.

The bright LA sun was still shining. “I might as well go pick up this chicken while I’m out here”, I thought. Like that wasn’t weird enough, I did it. I found the address in a part of LA I’d never been before. There were blocks of warehouses and delivery trucks. I pulled over in front of a building and parked. Like I knew what I was doing, I entered a large dim and dust filled warehouse. There were cages of poultry of every kind. A man approached me and asked in Spanish, ¿”que quiere”? Luckily, I speak Spanish. Timidly, I asked for a black rooster.

Without hesitation, and within a couple of minutes, the man handed me a cardboard box with a young black rooster in it. I paid a small price and took the box out to my car and set it in my back seat like I did this everyday.

At the time, I was a graduate student at UCLA in the fields of folklore and mythology and my focus was Cuban spirituality. I would be writing about my experiences for my thesis. But this was not my 1st rodeo. I had lived with a Santero. I won’t go into my life with him now since I have written about it in other blog posts but suffice it to say, this was not new to me. Animal sacrifice was a natural part of this religion and I knew what I was in for. I knew the destiny of this black rooster.

I was living in Santa Monica, just blocks from the ocean, in a small garage conversion. I took the box out of my back seat and took it in to my small apartment setting the box down in my kitchen. The rooster was quiet and calm. It didn’t make a sound and it didn’t make a sound for the entire month that it lived in my kitchen. Perhaps, he knew his destiny, as well. Perhaps, he felt honored to be a part of this sacrifice.

Over the next 30 or so days, I fed the rooster and I talked to him and cared for him in every way. I was growing attached and began to feel bad for how his life would end. He would look up at me out of the bottom of the box with one eye and his head cocked as if to say, “don’t worry. I know what’s going on”.

After 30 days, I once again put the box with the black rooster in the back seat of my car and headed for Charlie’s botanica.

I don’t know if Charlie had written down on a calendar or in his ritual book that in 30 days I would be coming back but he didn’t seem at all surprised when I walked in the door. Maybe this was a regular occurrence and he knew exactly what was coming in the door. One of the people behind the counter took my box from me and headed through the curtain to the back room. The rooster remained silent.

Just as before, people had gathered in the botanica and had slowly drifted into the back room to sit in a circle to wait for Charlie to arrive as Manuel. Just as before, Charlie arrived. He addressed each and everyone in the circle, just as before. I grew impatient. I looked around for the box but didn’t see it.

Finally, in what seemed like hours, Manuel departed and Charlie sat there in front of us. Slowly, much slower than what I wanted, everyone moved in to the botanica to chat, perhaps to buy things that Charlie had suggested for ritual. Charlie motioned for me to stay seated and he left to say goodbye to the others.

A short middle aged man came to me and motioned for me to follow him through some curtains into a larger room behind the room where we gathered. I don’t remember a lot about this room except that it was more brightly lit and had the air of a kitchen with a sink with running water and tiled floors and I don’t remember what else because, of course, I was getting nervous. I felt cold. I felt a chill run down my spine as I stood there.Where was my rooster?

Charlie came in but didn’t look at me. He was prepared and he was going to do what he was prepared to do. This is what I remember… that I stripped to my underwear. Charlie approached me holding a large knife and my black rooster by its feet. My rooster didn’t make a peep. It hung there as though dead but its eyes were darting about. I was getting colder and began to shake.

Charlie held the rooster by its feet while he rubbed the live rooster all over my body from the top of my head to the bottom of my feet. He was speaking but I didn’t understand what he said. He wasn’t speaking in English nor was he speaking in Spanish. When he was done with me, swiftly, with one slash, Charlie cut off the rooster’s head. The rooster bled into a cauldron where its head had landed, still with no objection.

It was clean and swift. The other man said that I could put my clothes back on and Charlie walked out of the room after he placed the rooster back in my box in a bag. I had previously received instruction that after the ritual I would take the rooster’s body to a graveyard and leave it there. I had looked up the address I was given and was prepared to leave the sacrifice among the dead.

After this, I didn’t see Charlie again until my next visit to the botanica. I had heard from other Santeros that after these kind of rituals there is a kind of exhaustion that takes place and I suppose that Charlie had gone to rest.

I guess there’s a certain kind of familiarity among law enforcement and cemetery personnel, because it was explained to me that finding dead roosters or other kinds of accoutrement in graveyards was not so strangely rare. But I was warned to be discreet. There were certain graveyards that were more tolerant.

I arrived at the graveyard sitting on a hill. It was late afternoon and the sun was bright but low in the sky. I walked among the gravestones and thought about what I had just experienced. I wanted this time to be personal and to be meaningful. As I mentioned before, I had experienced many things living among the Cubans but this was the first time I had been the center of this ritual.

I left the rooster next to a gravestone that was the oldest that I could find. I thanked him for what he had sacrificed for me. I walked slowly back to my car enjoying the sunshine and the heat. My body still felt cold. I drove through LA towards the beach and my home away from home.

Though I remember a great deal about this, still much of it is from my memory. Since I didn’t write down the details after they happened, all I have is my memory.

Though this story may seem strange and gruesome to you, my readers, to me these are, yes strange and extraordinary but they make up the person that I am today and I am grateful for that.

I realize that this story of mine leaves a lot that is not explained, But there’s more writing to be done and there are previous blog posts that go into some detail about living with a Santero and among the many Cubans that I met in the late 1990s.

This post is not intended to be instructional or specifically educational but it is true. Truer than true.

Burning Pepe with Ritual.

A little bit of knowledge can be dangerous… as this story proves out.

I don’t know where to begin because I don’t think that I’ve told you enough about my past with Santeria, Palo and Vodou, but this memory came to mind this afternoon and I wanted to write it down. Perhaps, I’ll even publish it without giving you the proper context. To help a little you could go into some of my blog posts that are tagged with Santeria, Palo and Ramiro and the like… yet it might not help at all. But let’s get right into it, anyway.

Without going into any great detail, suffice it to say that I had been living with a Santero (a practitioner/priest of Santeria. My break with him was tragic. After being with him for several years, to better understand him and the culture of Cuba and its people, I studied Cuban spirituality and simultaneously, Haitian spirituality which, of course, both derive from African roots.

In my studies, I came across primary resources written by priests. Primary resources, of course, are documentation that record first hand experiences. These books or pamphlets or diaries recorded the rituals of their religion. I had watched many rituals performed in the years spent with the Cubans. I always felt though that I was standing at the door with the door just barely cracked open and me, I was peeking inside of a room not truly being able to enter, to participate or to even understand what I was seeing.

This new found knowledge, accompanied by my first hand experiences with Santeros and practitioners of Palo and Vodou, proved to be dangerous weapons in my hands.

After my break with Ramiro, I was left with many accoutrements, but this is another story. My heart had been broken and I had seen too many things. I wanted to relieve my broken heartedness and I also wanted to affect others with what I knew. I didn’t really want to hurt anyone, that was not my intention. But these two things alone are a dangerous combination. I wasn’t looking for revenge but this is how it was perceived.

Pepe was a friend of Ramiro’s and appeared on the scene to “soothe my pain”. I didn’t want a boyfriend, I wanted Ramiro back but I wasn’t getting him back, so Pepe became a friend. But this was not how Pepe saw it.

Pepe would not go away. He tattooed my name on his arm. He led his friends to believe we were lovers. That, we never were. My mistake was to allow him to continue to be my friend even when I realized that he was unreasonable.

My reasoning was that Pepe was nice enough. Pepe cared for me. He was willing to tolerate that I was still in love with Ramiro and that I didn’t love him. In a selfish way, Pepe was my connection to the Cuban community and vicariously to Ramiro. In some odd way this helped to ease the pain, to have somebody familiar around.

This is how the problem started and I am the only one to blame. Pepe was insistent and I suppose you could say that I allowed it, I left the door open, I was too tolerant. But as he became demanding, I became frustrated at first and then afraid. I didn’t believe he would hurt me but he had become frustrated, too. There was an element of him being out of control. Here again, I won’t go into unnecessary detail about his fits of frustration. He was refusing to just be my friend. Though I would lose my connection to him, to the Cubans and to Ramiro, it was time for him to go.

I wanted him to know that I was serious. I wanted him to know that I could make him go away. I knew in no uncertain terms that it had to be final and permanent. I thought that my most powerful ability was to use his own beliefs against him.

I knew too much and yet I knew too little. I never should have done this but I did. This wasn’t the first time, nor was it the last that I used what I had learned, that I used ways that I had no business using.

Whether you believe this or not is neither here nor there to me. I don’t care. But this is what witnesses have reported. These are the consequences of my actions. I followed the directions to the letter. There are times that I regret what I did, but they had the results I was looking for. I never heard from Pepe again.

I wrote Pepe a letter simply asking him to leave me alone. I sprinked into the envelope, powders and ashes of certain and specific animal bones, crushed plants, rocks and metals procribed in the books of priests. I carefully copied, by hand, certain ancient symbols drawn in the books. I sealed the envelope and drew certain other symbols that crossed over the seal, so that when opened, the symbols would be torn in two.

Pepe recieved the letter. According to witnesses, when he tore open the seal, a cloud of dust rose into the air covering his face and flew into his eyes. He was blinded momentarily and had trouble breathing. The dust caused sores on his face and neck that lasted for weeks.

Pepe was out of my life for good. I haven’t heard from him or about him for years. I hope he’s OK.

A Story of Possession

I stood trembling in front of the double doors in the living room, shaking not from cold but for reasons I could not understand.

I was dripping with water that had been generously sweetened with honey and had been poured over my head. I really did not want to hear anything more but I knew that I had to keep my ears and eyes open even though right then, I had them firmly shut.

Oshun was standing on the other side of the room and I knew she was not through with with me yet. At any rate, I was assuming it was she.

The singing continued and so did the beat of the drums. The room was dark except for the evening light that shone through the trees and in through the open doors. The light of the candles added little to dispel the dimness.

Ramiro was speaking but I couldn’t understand what he was saying. His head fell back as he laughed and when he opened his eyes to look at me it was as though I had never seen him before.

He stood up from where he had been sitting, petitioning the deities, barefoot and shirtless in a pair of khaki shorts. He stood very close to me as he pulled his pants up high around his waist, lifted his head and looked down his nose at me.

“Do you know who I am?” He appeared very feminine as he began to move around the room, sashaying and swaying his hips sensuously and moving his shoulders very coquettishly. He held his head high, pushing his chest out, then he asked again, “Do you know who I am? I said yes, thinking I was standing in the presence of Oshun.

“Who told you to light candles to Chango? I did not tell you to. He does not like putas and you are very puta. I am his and he is mine.” He collapsed on the floor with his legs wide apart and demanded loudly “Please, bring me water and honey.”

I brought him water in a glass and the plastic bear containing honey that I used for tea. He dismissed them with disgust, waving his arms arrogantly and laughed loudly saying, “No, I want water, water, lots of water…

Make it sweet and set it here in front of me.” At this I found the biggest container I could find and filled it to the brim, emptying all of the honey into the water.

As I set it on the floor, he first bathed himself starting with his head, splashing it on his body and taking large mouthfuls of it and spraying it into the four corners of the house and then out both of the doors.

Then finally, he came over to me and washed me roughly with the sweet water from head to foot, splashing it all over. He sprayed it from his mouth in my face and all over my body, washing my arms and my breasts and stomach. He turned me around as he washed my buttocks and my legs and feet. “I will cleanse you”, she said. “You have not been living clean. You say that you love your man, but you are very puta. Why? answer me”, she demanded.

I began to cry and said, “Only to take away my loneliness.” With his hands on his hips, he sashayed over to the farthest corner of the room.

As he walked, his movements, though feminine were somewhat stiff. He lurched, nearly knocking over the table and lamp. As I reached out to grab the table he whirled around and snapped, magically as though he had eyes in the back of his head, “Do not touch me. You are an angel but you are dark. I can hardly see you. Stand over there.”

I moved to the farthest corner, next to the double doors. “You need to buy new clothes. Do not wear black anymore. Come here.” I walked over to him and he clamped his hand over my ears, pounding them with his open palms. She said, “I’m going to cleanse you.”

As he spoke words that I couldn’t understand, he rubbed my body, my arms, my legs in forceful downwards movements. He then told me to sit on the floor.

“There’s a woman that you hate. Yes? No? She has the man that you love. So you know who I am? Yes or no? Papijim, he is mine. I have taken him from you. You do not have what he needs. He does not want to dance with you. I have taken him from you. He does not want sex with you, papijim. I have what he needs”, she says, pulling his pants up and he begins to sway his hips sensually. He looked at me out of the corner of his eyes and turned his head from side to side mockingly. “You have committed many errors and now, papijim, he is mine. You do not know how to live. You do not know how to enjoy life.”

He was snorting and scoffing. She was so sure of herself as she so cruelly mocked me. She laughed out loud and I knew she was right. I was alone. I was broken. Chastised.

Several minutes later, another orisha arrived. He looked as though he saw another person in the room. He dropped his pants and grabbed his genitals. “You have preferred this. You must change.

“Buy girasoles (sunflowers). Buy white flowers that have no pink or yellow. Put the petals in a bucket of clear water. Wash your hands and arms in the water as you crush the petals in your fingers. When you are done, throw the water out the door of your house.” He left me reeling.

Before he left, he sprayed rum into the four corners of the house and around the doors to keep evil away. He moved my image of Eleggua to face the front door to guard against whatever might wish to pass to do me harm.

Post script:

This is just a small example of what I witnessed while I lived with the Cubans. I learned so much about the way they think and about the way they view sickness and ways that they heal. Because they were refugees and lived in a city where items that they needed to perform certain rituals were not readily available, I saw a great deal of adaptation, accommodation and ingenuity. This lack did not affect how they lived any more than the slaves were disabled because they arrived in the new world without the necessary paraphernalia to carry on.

I will not go into descriptions of the orishas (gods), in this instance, Oshun and Chango, or what this experience was all about. I will let it stand but I will tell you more as these stories emerge on this blog.

I lived with Ramiro, a santero (priest in Santeria), for three years and was immersed in his religion. Later, I studied Cuban folklore and spirituality with other priests in both Santeria and Palo and at UCLA.

This story took place when we were no longer together but still very close.

This is one story of many that I will share with you.